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Friday
Jan052024

Why it’s alright to keep our Christmas decorations up (until February 2)

When should the Christmas decorations come down? I ask because it’s a small bone of contention in my house.

The week after New Year is so depressing I like to keep the tree and decorations up for as long as possible, and for as long as I can remember the date by which they ‘have’ to come down - or risk bad luck - is January 6, or Twelfth Night.

My wife however disagrees and insists that Twelfth Night is January 5 (ie today). Well, it turns out we’re both right. It simply depends on when you start counting.

Some people think the twelve days of Christmas start with Christmas Day. Others believe they begin on Boxing Day.

To be honest, I’d never given it a moment’s thought but, thinking about it now, it does seem more logical for Christmas Day to be the first day of Christmas.

But that would mean changing the habit of a lifetime and at my age I simply refuse to take the tree and decorations down a day earlier than I have to.

In fact, why take them down today or tomorrow? According to Dr Michael Carter, English Heritage’s Senior Properties Historian:

… contrary to popular belief, the Christmas season actually continues right through to Candlemas on 2 February so there's no real reason why you should take your decorations down earlier.

Furthermore, he adds:

The tradition that it is bad luck to keep decorations up after Twelfth Night and the Epiphany is a modern invention …

What I don’t understand is why it’s become acceptable to put the Christmas decorations up earlier and earlier, but frowned upon to keep them up beyond January 5 or 6.

Personally I would be happy to leave them up until the end of the month at least. Instead I shall be one of millions of people dutifully taking down their trees and decorations, and feeling momentarily bereft.

(Last year, to fill the void left by our Christmas tree, I rushed off to John Lewis and spent £400 on a beautiful oak floor lamp, so that was some consolation.)

So why do we do it? Why are we so keen to conform? It can’t be a genuine fear of bad luck, surely?

All I know is, come tomorrow afternoon, even the seasonal Emma Bridgwater pottery will have been packed away along with the lights, the baubles, and everything else that made the house so festive and cheerful for the past five weeks.

Welcome to January … the most miserable month of the year.

Thursday
Jan042024

John Mallon - in memoriam

John Mallon’s funeral took place in Cork yesterday.

I couldn’t go, unfortunately, but a colleague went and I watched the requiem mass online.

An interesting part of the service was when John’s son and daughter presented “symbols of John’s life”. They included his laptop computer, a family photo, a replica football shirt, a book, and some mince pies.

His daughter Michelle explained that the laptop represented his “thirst for knowledge and his love of world affairs, history, and politics”.

The other items represented his love of family, sport, reading, and his “sweet tooth”.

I also learned a few things I didn’t know.

I knew John was a sales executive for Apple in the Nineties (before the iMac and the Apple Store changed everything).

I knew too that he was a videographer for several years.

What I didn’t know is that at various times he also ran a laundrette and sold jewellery - quite the entrepreneur!

What came through most, though, was his love of family which he put above everything, including material possessions or wealth.

Personally, I will miss his sense of humour, and his courage in standing up to the bully state.

A notable ally was award-winning blogger Richard O’Connor (aka ‘Grandad’) who helped John set up his own blog.

According to Richard:

John took to the scribbling lark like a duck to water. Over the years we kept up sporadic correspondence. He would occasionally phone me just for a chat when we would have a grand laugh at life. We shared a common jaundiced view on life in general.

Sadly, we never met, as he lived in Cork, and I didn’t. On several occasions we had some near misses as I travelled to west Cork or he travelled to Dublin but for various reasons that meet never happened.

I’ll miss his gentle Cork accent and his unrepeatable comments on our politicians.

But the final word goes to my colleague Jacqui Delbaere:

I had the joy and privilege of working with John over a number of years in his capacity as Forest Ireland spokesman. I set up radio and TV interviews for his media tours. John was always lovely to work with, up for the ‘craic’, and I will miss our banter and camaraderie. God bless.’

See also: ‘John Mallon RIP

Below: Jacqui, John, and me on the terrace of the House of Commons in 2011. It may look like it, but we weren’t holding John hostage, honest!

Saturday
Dec302023

John Mallon RIP

Some very sad news.

I am extremely sorry to report that John Mallon, spokesman for Forest Ireland since its launch in 2010, died on Thursday following a long battle with illness.

I saw John in November when I flew to Cork, where he lived, and we had lunch in the Panorama restaurant at the Montenotte Hotel which stands on a hill overlooking the harbour.

We were joined by three mutual friends. John was in good form and held court in his usual (well informed!) fashion.

To say John was affable is an understatement, which is why people couldn’t help but like him. But he also had a stubborn streak, and it was the combination of the two that made him such a dogged and engaging campaigner.

Over the years he became a frequent interviewee on Newstalk, Ireland’s leading independent radio station. He also appeared on RTE and Today FM.

He was a familiar voice too on many local radio stations and each year (before Covid struck), he would embark on a two-week media tour - starting (and finishing) in Cork, with stops in Limerick, Tipperary, Galway, Kilkenny, and Waterford, to name a few.

Once or twice a year he would also venture up to Dublin for a Forest event or some other work-related reason.

Each October, for example, he would stay overnight at Buswells Hotel opposite the Irish Parliament and make himself available to the broadcasters who were covering the annual Budget announcement.

On more than one occasion he persuaded RTE to invite him on their live programme, broadcast from Buswells, so he could comment on the latest tobacco tax hike.

It was noticeable, though, that wherever he was - be it Dublin, Galway, or London - John couldn’t wait to return home to Cork.

But let’s rewind.

When Forest Ireland was founded in 2010 there was only one person in the frame to be our spokesman.

Before and after the introduction of the public smoking ban in Ireland, in March 2004, the name John Mallon would appear on the letters pages of several national newspapers.

He wrote about various subjects but the one he returned to again and again was the negative impact of the smoking ban, and it’s a tribute to his determination and strongly held beliefs about individual freedom that he didn’t abandon the issue - as many did - after the ban was introduced.

It wasn’t until 2010, however, that we finally met in person. Thereafter, until Covid broke the pattern, we would meet two or three times a year.

This would include an annual meeting in Cork, usually before Christmas, that would start with a formal debrief in a nondescript hotel room, continue in a local restaurant, and finish in a noisy pub.

Meetings in Dublin usually revolved around Forest events. For a while, as a networking exercise, we hosted a series of small, private dinners to which we invited guest speakers such as Claire Fox (now Baroness Fox), Chris Snowdon, and Ella Whelan.

Other guests would include journalists and like-minded campaigners.

In 2017 and 2018 John also co-hosted our Farewell to Freedom Dinner & Awards, which were a huge success.

On the three occasions I remember him coming to London it was for a Save Our Pubs & Clubs reception on the terrace of the House of Commons (2011), the Forest Freedom Dinner at Boisdale of Canary Wharf (2016), and our 40th Anniversary Gala Dinner (2019).

At the second of those events we presented John with a ‘Voices of Freedom’ award which I introduced as follows:

Our next award winner first came to our attention in 2003, before the introduction of the smoking ban in Ireland. After the ban was introduced in 2004 we noticed he continued to write letters to the newspapers, pointing out the negative impact of the ban, and for several years he appeared to be the sole voice of reason in Ireland on this thorny subject.

In 2010, when we launched Forest Ireland, he was the obvious choice to represent smokers in Ireland. He has done that job now for six years, impressing everyone he meets with his charm and common sense. In an extremely hostile climate – the media in Ireland are far more hostile to smoking and the concept of smokers’ rights than their counterparts in the UK – he appears regularly on radio and, occasionally, TV.

At times it’s been a lonely and thankless task but I’m delighted to say he’s here tonight … Ladies and gentleman, in recognition of grace under fire, we present our international award to ... John Mallon.

Apart from keeping the flame of freedom alive in Ireland for 20 years, John’s greatest moment was arguably appearing before a parliamentary committee in February 2013.

We were a bit nervous about the outcome but John charmed the committee to such an extent that after the meeting several members approached him for a convivial chat.

I’ve witnessed and given oral evidence to a few parliamentary committees in my time and, believe me, that rarely happens to anyone on ‘our’ side.

In recent years John has suffered increasingly from poor health but he remained remarkably stoic and resilient.

He gave his last radio interview just two weeks ago, informing me that his voice was ‘weak’ but refusing to pass up the request.

Our physical meetings may have been limited, but we corresponded frequently (4,183 emails since 2013), and I shall miss him enormously.

My commiserations to John’s wife Phil, his two children (Michelle and Des), and the rest of his family.

But I would like to finish by quoting from the last and typically generous email I received from John. Sent on Christmas Eve, he wrote:

It has been a misfortunate year for me but that does not mean I cannot wish others well.

So my best wishes over the Christmas Holiday to you and your family and I hope 2024 brings you good luck and good fortune.

Thank you, John. I feel privileged to have known you.

PS. The funeral will be streamed via this link (churchservices.tv/mayfield) on Wednesday, January 3, at 11.00am GMT.

Update: There's a nice tribute to John by Grandad on his blog, Head Rambles – 'click here'.

John Mallon: born March 25, 1956, died December 28, 2023. Below: at the River Lee Hotel in Cork, November 2022

Saturday
Dec302023

Dr Madsen Pirie OBE

Congratulations to Dr Madsen Pirie, president of the Adam Smith Institute.

Madsen has been awarded an OBE (for services to public policy) in the New Year Honours List announced last night.

I won’t repeat the story of my debt to Madsen (you can read about it here) but if it wasn’t for him and Eamonn Butler, with whom he co-founded the ASI in 1977, my ‘career’ might have taken a very different path.

(In fact, he helped me get not one but two jobs, the latter of which lasted 14 years.)

Given the ASI’s influence on public policy - especially during the Margaret Thatcher years - I’m just surprised it has taken so long for their work to be recognised in this way.

Meanwhile, still no gong for Deborah Arnott, CEO of ASH, or her counterpart in Scotland, Sheila Duffy. The mystery continues …

See: Still no honours for titans of tobacco control

Wednesday
Dec272023

Gone but not forgotten

Further to my previous post, I am reminded of three more people whose deaths I missed when they happened.

They are artist Tony Lawrence (2022), Oscar-winning screenwriter Sir Ronald Harwood (2020), and popular psychology author Tony Buzan (2019).

I'll start with Ronald Harwood because he's the only one most of you will have heard of. Born in Cape Town in 1934, he died in September 2020, aged 85, and I've no idea how I missed the news because it was widely reported.

Perhaps it was because it was during Covid, but the fact is I didn't find out for several months and the reason it's on my mind now is because I'm currently reading 'Speak Well of Me: The Authorised Biography of Ronald Harwood' by W Sydney Robinson, published in 2017.

According to The Times, 'The writer who emerges from Robinson’s biography is profoundly serious — but the man is often fun.'

That was my experience too and if you want to know more I recommend that you read the transcript of this fascinating Screenwriters' Lecture: Sir Ronald Harwood CBE from September 2010.

There are several laugh out loud moments, plus one or two comments about smoking including, at the end, the anguished cry: "I’m dying for a cigarette”.

Knighted in 2010, Harwood first came to our attention in 2004 when reports emerged of a dramatic stand-off in Canada. Recalling the incident in his obituary, the Guardian wrote:

... he was a ferociously committed smoker, cancelling a trip to Winnipeg to direct his famous play in 2004 because of “Canada’s draconian anti-smoking laws”.

Following that incident he accepted an invitation to join us at a small private dinner at Boisdale of Bishopsgate - an occasion also attended by David Hockney who arrived midway through dinner having flown into Heathrow that evening and come straight to the restaurant.

In September 2004 he was one of 13 people (others included Hockney, Stephen Fry, and Bob Geldof) who signed a letter, written by Joe Jackson and published in The Times, opposing a public smoking ban.

The following year Harwood was a guest when we hosted a Christmas lunch for a dozen friends of Forest at Rules, the Covent Garden restaurant founded in 1798, and the oldest restaurant in London.

That was in December 2005, almost two years before the smoking ban, but what I didn’t know when I booked a table is that Rules was a non-smoking restaurant even then - doh!

Thereafter we kept in touch, but very infrequently. I think the death of his wife Natasha in 2013 had a profound impact on him.

‘Speak Well of Me' was published on May 31, 2017, World No Smoking Day. I pointed this out to him in an email but I believe he had quit smoking by then so the irony may have been lost on him. Either way, I didn’t hear from him again.

Tony Buzan, who died aged 76 in April 2019, was a larger than life character who claimed to have invented a concept known as 'mind mapping' in 1970. A million selling author, he was also said to be the 'father of speed reading'.

Whether these claims are true I don’t know because Buzan was essentially a salesman, and a hugely successful one. I met him several times and I have never known anyone radiate such positivity or confidence.

The first time we met, in the early Nineties, I interviewed him in his office in Marlow, overlooking a marina.

I enjoyed his company and he liked me too, I think, but I am by nature a cynic, so there was never a meeting of minds.

We did however join forces for what, in hindsight, might be the most unlikely event ever but it seemed like a good idea at the time.

It took place in November 1995. I had recently interviewed Polly Brown, the lead singer with Pickettywitch, a band that enjoyed some success in the Sixties, and I had the bright idea of combining her talents with those of Buzan.

An interesting venue often helps sell tickets so I booked the Commonwealth Theatre at the Commonwealth Institute in Kensington.

‘Music and the Mind’ began with a one-hour presentation by Buzan that involved tapes, CDs and a light show.

The evening then entered its second phase:

Together, Tony and Polly will discuss the effect of music on intelligence, how important music is to our daily lives, and how the composition of music can broaden and expand the mind.

Central to part two was a set featuring 'the unique sound of the Polly Brown Blues Band'.

It sounds insane, pretentious even, but somehow it worked. We even got a full house.

I liked Tony enormously – his enthusiasm was infectious – so I was very sorry to discover, some time after the fact, that he had died. I was surprised too because when I knew him he appeared indestructible, a force of nature whose energy and healthy lifestyle should have guaranteed him another decade or two at least.

Instead he is reported to have died of a heart attack aged 76.

Finally, and more recently, I also missed the death of another person I once interviewed and liked – contemporary figurative artist Tony Lawrence who died in November last year. He was just 71.

Tony wasn't a household name so it's not surprising that news of his death didn't extend far beyond the New Forest where he lived.

In fact, the only reason I know is because, when we stayed overnight in the New Forest in the summer, I looked him up on Google and read the news on his website.

Having interviewed him at his home in the early Nineties, we kept in touch for several years and spoke quite often on the phone.

On one occasion he invited me to join him in the City of London to check out the location he had in mind for one of his exhibitions. It was a brand new office block that was totally empty except for the plain white walls and bright lighting.

He preferred it, though, to the more traditional art gallery.

(If I remember, his distinctive paintings were often exhibited privately, not in galleries but in what he called exhibition spaces.)

In 1997 he donated to one of my events an original watercolour that depicted the sky above the Isle of Wight which he could see from his home in Hampshire.

It was one of a series of similar paintings and proceeds from the prize draw, which took place at a gala dinner at the House of Commons, went to the Wessex Children's Hospice, which I believe was Tony's nominated charity.

The thing is, when I think of Tony Buzan and Tony Lawrence, neither of whom I had seen for 25 years, I remember them as much younger people, so the discovery that they had died was far more of a shock.

Also, when I knew them, they shared an almost childlike love of life and their boyish enthusiasm was infectious.

So what have I learned from all this?

One, read the obituary columns, religiously, every day.

Two, try not to lose contact with people you know and like, even if it's only sending them a Christmas card each year.

One day you may discover, as I have, that they have died and it will be too late to drop them a note suggesting you meet for lunch or dinner, or even a drink.

As it happens, last year I sent a Christmas card to an old friend I hadn’t seen for the best part of ten years and did exactly that.

We met up, with a mutual friend, and I discovered he was recovering from a heart operation – which didn't come as a surprise given his lifestyle!

I'm pleased to say we are seeing each other again in the new year and I hope it will become an annual ‘thing’.

I also intend to visit an old university friend who last week underwent open heart surgery. I haven't seen him for some time either and there’s no knowing how long any of us will last (myself included!) so the lesson I take from this is, don’t put off what you can do today otherwise it may be too late.

See: Tony Buzan obituary (The Times) and Obituary: Tony Buzan, educational consultant who created the Mind Map learning technique (The Herald)

Also: Obituary: Tony Lawrence – renowned artist whose works are sought around the world (Advertiser and Times)

PS. I’m rather chuffed that Tony Lawrence’s website includes a passage from an article I wrote in 1992. It reads:

Centrepiece of the exhibition is A Practical Guide to Aesthetics, an extraordinary 60-foot mural that comprises twelve separate paintings, all interlinked, that took two years to plan and four years to paint. It’s so big that the Broadgate show offers Lawrence his first opportunity to see it as visualised – in one piece, stretching the entire length of a single wall. It’s designed, he says, to liberate him from past work – one step back, two steps forward. ‘I wanted to clear out all the cobwebs so I looked at everything to do with me and my art and pulled together images that were important to me’.

One particularly fascinating section contains almost 70 portraits of friends, people he knows or people who have influenced him. Not only does it include Francis Bacon, Andy Warhol, Jackson Pollock and David Hockney, it also features such diverse characters as Lenin, Desperate Dan, Mickey Mouse, Cleo Laine (a family friend), a Picasso pastiche, two self-portraits plus a portrait of the artist by his son George – not to mention portraits of his wife and five children.

Although he favours a cerebral approach to his work, he’s unconcerned if people don’t read anything into his paintings. ‘The cerebral element is only important to me because there has to be a reason for me to do it, but I wouldn’t dictate to others what they should read out of a painting. There are different levels of appreciating art and all of them are equally valid. It would be very arrogant of me to expect someone to sit down in front of one of my paintings and have to think about what the artist intended. In painting there’s the person who does them and the person who looks at them and I think the person who looks at them is of equal importance because what brings a painting alive is someone looking at it.’

Click here.

Wednesday
Dec272023

Roger Ordish RIP

Welcome back. Hope you had a good Christmas.

I'm late to this but I can't let the year end without mentioning former BBC producer Roger Ordish who died at the age of 83 in August.

Ordish worked on Top of the Pops in the early Seventies but will be remembered chiefly as the producer of Jim’ll Fix It which ran from 1975 to 1994.

Ordish and Jimmy Savile were members of Mensa when I edited the monthly Mensa Magazine from 1985 to 1999, so I met them both.

(I once interviewed Savile in his bedsit near Broadcasting House in London, sitting on a chair next to the bed while he talked, made tea, and wandered around in a pair of skimpy jogging shorts.)

Unlike Savile and Ordish I wasn’t a member of Mensa. I was a freelance journalist who got the job through Madsen Pirie, co-founder of the Adam Smith Institute, who was not only a member but was on the board that was chaired, in those days, by the inventor Sir Clive Sinclair.

In the Nineties (to the fury of some 'activist' members) I extended my brief and began organising a series of events featuring some of the more talented members.

I started with a variety show at the BBC Concert Hall, before organising concerts at the Royal Academy of Music and the Royal College of Music.

I also produced a show at the Library Theatre, Manchester, and another event, with a live band featuring a former member of Dexy's Midnight Runners, on the old Coronation Street set at Granada Studios.

The variety show, which we reprised several times with an ever changing line-up, was predicted to be a disaster, but somehow it worked.

I have a cassette tape of the original show, recorded on BBC equipment by an in-house engineer, and the musical numbers still sound pretty good because we had some great singers and musicians.

I don't know where most of the cast are today, but the co-directors, who both performed in the show, are Facebook friends and they are among the hardest working people I know.

Mike Hatchard, our director and MC, is a brilliant pianist and jazz musician who appeared recently on a local edition of Children In Need playing the piano upside down. (He was upside down, not the piano.)

Co-director Guy Masterson became an award-winning actor/producer/director. He is currently in New York performing a one man show of Dickens' A Christmas Carol.

Another performer that day is a children's entertainer who appeared, a few years ago, on Britain's Got Talent.

Anyway, in 1996, as part of Mensa's 50th anniversary celebrations, I went for broke and booked Wyndham’s Theatre in London's Charing Cross Road for a show that quickly sold out (600 tickets).

The key, I found, to the success of these events was to surround myself with a team who knew what they were doing - from the director, to the stage manager, to the sound and lighting engineers, and so on – and let them get on with it.

For a West End theatre show I needed experience, so I asked Roger Ordish if he would direct and compere it, and he agreed.

As it turns out it was an inspired choice because he was very easy to work with. He was calm and unflappable, which was just what we needed because the show featured a dozen very disparate acts with a wide range of personalities, shall we say, and very little time to rehearse or sound check.

He was notably unruffled, I remember, when one act - a singer whose claim to fame was a number one hit in 1961 - threatened to be a bit of a diva.

Instead his quiet but authoritative manner commanded instant respect from both performers and crew, and the show was a huge success.

I enjoyed working with him and although we subsequently lost touch I remember that time with fondness.

Poignantly, his obituary in The Times made the point that:

Appalled as he was by Savile’s crimes, Ordish regretted that the programmes he had devoted so much of his working life to making had since been made unavailable.

“Jim’ll Fix It was my baby and its huge success thrilled me,” he said. “Now the programme has been airbrushed from history but I refuse to let that erase my memories.”

He noted sadly that in retirement he could no longer speak about his career at the BBC without a sense of shame. At one time when he told people he had produced Jim’ll Fix It “you used to get a wonderful reaction. Now it’s something I can’t mention”.

What should not be forgotten is that he also produced Dee Time with Simon Dee (1967) and A Bit of Fry and Laurie (1987-1990).

He also worked on Parkinson, Wogan, The Paul Daniels Magic Show, and Bruce Forsyth’s Generation Game.

Roger died in August this year but I only found out last week, hence this belated post. Commiserations to his family.

PS. In April 2020 Roger published a memoir, ‘If I Remember Rightly’, that prompted a short but nice review by an old schoolfriend, Tim Waterstone, founder of Waterstone’s Bookshops. Click here.

Update: I knew Roger had moved to Lewes in Sussex following his retirement. What I didn’t know was what happened thereafter. According to The Times’ obituary:

In 2007 he moved to Foissac in France before returning to Britain in 2018 and settling in Richmond, North Yorkshire, where he volunteered in the village shop.

In fact, he did a bit more than volunteer in the village shop. He became a ‘beloved member of Richmond Operatic Society’ and was also a member of Richmond Amateur Dramatic Society, directing a one act play that won an award at a local drama festival shortly after his death.

Funnily enough, I once spent New Year in Richmond, arriving in a blizzard after driving over the snow-covered Pennines from Cumbria in my mother’s Triumph Vitesse.

It was one of the most hair-raising journeys of my life, but that’s another story …

Sunday
Dec242023

Merry Christmas

Merry Christmas and a nanny free New Year.
Saturday
Dec232023

Christmas past and Christmas presents

This is my penultimate post before Christmas so let me leave you with a few childhood memories.

Note: If you have no interest in my childhood memories of Christmas, and I don't blame you, I bid you adieu and wish you a very happy Christmas!

A few weeks ago I mentioned spending one Christmas with my grandparents in Colchester. It was 1967 or 1968, I can't remember which.

They lived just round the corner from my aunt and uncle whose architect-designed home, built in 1962, was featured (unflatteringly) in a Channel 4 series called Ugly House to Lovely House (see here).

Even though I can't be certain of the year, I remember that Christmas for several reasons, one of which was the minor accident we had driving to Colchester on Christmas Eve.

The traffic was slow moving but it was dark and raining heavily when we aquaplaned into the back of the car in front.

If I remember correctly, my father had accelerated in response to an approaching car whose driver had flashed his lights, inviting us to go first past some roadworks that had reduced the road to a single lane.

It was courteous of the other driver but the kind gesture had unfortunate consequences when we ran into car ahead of us.

What I remember most was the fact that our hamster was in a cage on the back seat between me and my sister, and when we hit the car in front the cage shot forward, giving the hamster a short, sharp shock.

In those days there were no seat belts in the back of cars so my sister and I must have been thrown forward too, but no-one was hurt, the car was repaired over Christmas, and we drove home none the worse for the experience. (The hamster was fine too.)

A few years before that I remember staying with my other grandparents at their thatched cottage in deepest, rural Dorset.

Parts of the house were 300-years-old and I loved going there because it was so different to our own house on a rapidly expanding housing estate in Maidenhead that was built to cater for an influx of residents following the completion of the first stage of the new M4 motorway.

I was four or five-years-old and still believed in Father Christmas, and I remember lying in bed trying very hard to stay awake to see him deliver our presents.

Needless to say I failed and the next morning Santa had delivered my presents to the bottom of my bed. (I didn't question how he knew we were staying with my grandparents, but it probably sowed the first seeds of doubt in my mind.)

Santa's presents included my first Hornby train set. It was no more than a small oval track with a single locomotive but I played with it all morning, stopping only for lunch.

Over the next few years it developed into something far more substantial - multiple trains on interconnecting tracks pinned to a large wooden board, with electric points, overhead wires, and a station. But I’ll never forget the joy of that initial track and train.

Another present I remember getting (when I was seven or eight) was a small battery powered transistor radio.

By today's standards the sound was thin and crackly but I loved it, and the first thing I did was listen to Ed ‘Stewpot’ Stewart visiting some hospital wards for the Christmas Day edition of Junior Choice.

The radio could be held in one hand and was small enough to fit in my coat pocket. After we moved to Scotland, and I started watching Dundee United, I would take it to games and listen to the half-times scores, followed by Sports Report on the bus on the way home.

In fact, the radio would be glued to my ear from the moment I left the ground and walked down the hill to the bus station, a distance of about a mile.

Occasionally I would listen to it under the bedclothes after I had gone to bed. Specifically, I remember listening to the commentary during extra-time in the 1970 FA Cup final replay between Leeds and Chelsea.

I couldn’t celebrate the winning goal by Chelsea’s David Webb because I didn’t want my parents to know I was listening, but they probably knew.

(I watched the first 90 minutes on television but the match was on a Wednesday, a school day, and they didn't want me to stay up beyond my normal bedtime.)

We had moved to Scotland in May 1969 so the game marked the start of our second year north of the border.

I remember our first Christmas in Scotland for two reasons. First, my father had to go to work in the morning because in those days neither Christmas Day nor Boxing Day were public holidays in Scotland. Instead, the nation’s focus was on New Year, aka Hogmanay.

Second, my sister and I were each given a traditional wooden toboggan, or sledge, as our main present. Crazy, I know, but my parents must have thought we about to experience lots of snow.

To be fair, more snow fell then than it does now, but the only time I remember using the sledge was on a day trip to the Cairngorms.

Unfortunately, the snow was so soft neither of our sledges would move an inch because as soon as we sat on them the metal runners would sink in to the snow.

I suspect we may have been the last generation of children to have wooden toboggans with metal runners because shortly after that everyone seemed to have flat-bottomed plastic sleds and our beautiful but useless sledges were consigned to history.

We got greater use out of the roller skates we were given a year or two later, but that’s not saying much!

As a child my favourite Christmas present was probably the black and white leather football I was given in 1970. A replica of the ball used in the World Cup in Mexico, it screamed Pele, Jairzinho, Gordon Banks and Gerd Muller, and I loved it.

Made up of twelve black pentagons and 20 white hexagons, the simple non-branded design has never been bettered, in my opinion.

My friends liked it too and it was adopted as our match ball for games against local teams from Newport, Tayport, and St Andrews.

It still hurt when heading it, though. In fact, I don’t remember anyone in our team heading it intentionally, even though it spent a lot of time in the air.

In contrast, my biggest disappointment was probably the chess set I was given when I was twelve.

I had joined the lunchtime chess club at school so I asked my parents for a chess set, never thinking they would buy a miniature set with tiny plastic pieces that had to be pushed into holes on a metal board.

What were they thinking?

I assume they thought it looked modern compared to the traditional wooden set I was expecting. It was certainly the sort of thing you might have found in Habitat, if Habitat sold chess sets.

Worse, I discovered their error several days before Christmas because I knew where they kept our presents so I naturally had a quick peak when they were out.

To be fair, I hid my disappointment well but my attempt to be a grandmaster was abandoned a few months later when I left the chess club following a humiliating defeat at the hands of a chess club from another school.

The game, I decided, was not for me, so perhaps my parents were right not to invest in a full size set.

Today, in my 65th year, most Christmases are a bit of a blur, partly because we do the same thing every year. The only things that have changed is that we watch less TV, and the tree goes up much earlier.

My parents used to put the tree up a few days before Christmas, and for many years we did the same. It was edging earlier (mid December) but Covid was the game changer because I swear we were encouraged to put the tree up at the beginning of the month in order to bring a little bit of cheer into our otherwise grim lives.

Personally, if it wasn’t frowned upon by ‘tradition’, I’d keep the tree, with its bright and cheerful lights, for most of January. Why not?

There's another reason, though, for extending its use. A 6-7ft Christmas tree costs around £70 and I want my money's worth!

It's worth noting too that in the Sixties a real Christmas tree would have dropped most of its needles within a few weeks, which is one reason why artificial trees became so popular in the Seventies, but today’s trees last much longer.

It didn’t help that back then our house had central heating that delivered warm air to the sitting room through vents in the wall.

The air would come on and off depending on the temperature in the room, and when it was on it had a magical effect because many of the baubles on the tree would spin round.

I remember, in particular, three red, blue and white baubles, covered in glitter, that, when spinning, created an hypnotic kaleidoscopic effect.

Unfortunately the warm air accelerated the drying out process, hence the rapid loss of needles.

In my twenties, after leaving home, I always returned to my parents for Christmas, but prior to Christmas Day I would invite half a dozen friends for an early Christmas lunch cooked by me.

One year - and I’ve told this story before - I left the Christmas pudding steaming in a pan on the stove while we went to the pub, and when I returned to my flat (in Ravenscourt Park near Hammersmith) thick black smoke was pouring from the basement window.

The pan had boiled dry, and the heat had burned an enormous hole in the bottom. There was nothing left of the Christmas pudding but, miraculously, the turkey - which was in the oven - was fine.

The walls of the tiny studio flat were blackened with thick particles of soot but it didn’t affect our lunch which went ahead as planned.

To this day I still marvel at the memory of my guests sitting down to eat in a room that, less than an hour earlier, had been full of thick black smoke.

Less forgiving was the landlord, an actor who lived with his family in the house above. As soon as I returned after Christmas I was asked to vacate the flat so they could clean and redecorate it, which was understandable.

It was made clear, though, that I wasn’t expected to return. (He now lives in France but that’s another story …)

Fast forward to 1995 and one of my favourite Christmas Days, which we spent driving from Edinburgh to Gatwick where we stayed overnight in a nearby hotel before flying to the Cayman Islands (via Miami) on Boxing Day.

For most of the journey there were relatively few cars on the road so we had a clear run, and the day was entirely stress free.

That’s the closest we’ve come to spending Christmas abroad but it’s on my bucket list.

In the meantime I've suggested to my wife that we rent a cottage for Christmas - in Cumbria, Yorkshire, or Scotland - as we did at New Year when we were younger, but she prefers to stay at home.

Anyway, that’s enough about me. If you've got this far, thank you. Let me finish by wishing you a very happy Christmas, wherever you are.